Baran T. 3.Concert cimbalom: historical and theoretical, methodological аnd performative approaches

Українська версія

Thesis for the degree of Candidate of Sciences (CSc)

State registration number

0403U002561

Thesis Registration Form

0403U002561.pdf

Applicant for

Specialization

  • 17.00.03 - Музичне мистецтво

04-07-2003

Specialized Academic Board

Д 26.227.01

Rylsky Institute of Art Studies, Folklore and Ethnology a National Academy of Sciences

Essay

The thesis investigates the concert cimbalom of the Schunda system from the point of view of its history, theory, usage, making and performing. The most progressive methods of classification and systematizing in modern organology are applied to touroughly consider the problems of the cimbalom making. It was created new system of signs for cimbalom which was used for the first time in the Ukrainian Music Studies.

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Files

aref.doc

baran--BARAN-VYSNOVKY.doc

baran--Rozd_1_001.doc

baran--Rozd_2.doc

baran--Rozd_3.doc

baran--Rozd_4.doc

baran--Rozd_5_001.doc

baran--Rozd_6.doc

baran--Rozd_7.doc

baran--Spysok.doc

baran--Vstup.doc

baran--Zmist.doc

baran--tytul.doc

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