Otina G. The literary work theory coming into being while passing the traditionalistic epoch to the individual-author one: based on the material of the Russian aesthetics and the literary criticism of the first third of the XIX century.

Українська версія

Thesis for the degree of Candidate of Sciences (CSc)

State registration number

0404U002705

Thesis Registration Form

0404U002705.pdf

Applicant for

Specialization

  • 10.01.06 - Теорія літератури

08-06-2004

Specialized Academic Board

К 11.051.04

Essay

The dissertation is devoted to the theory of the literary work coming into being which took place at the turn of the century, when at the beginning of the XIX c. the development of the Russian commonly-cultivated literary process led to the situation of the two «great eras» meeting and to corresponding them two mostly common and stable types of the artistic acknowledgement: traditionalistic or normative and individual-creative or romantic. At that time the general theory of arts started its formation and the representatives of both the traditionalistic and the romantic camps took part in its making up. The development of a literary work in its turn is originated from the aesthetic science.

Read more

Files

Aref.doc

ДОНЕЦКИЙ НАЦИОНАЛЬНЫЙ УНИВЕРСИТЕТ.doc

Similar theses

0523U100254

Zhanna I. Bortnik

The Concept of Liminality in the literary studies paradigm: projection on Contemporary Ukrainian Drama

0421U101507

Poltoratska Alla Y.

Discourse of bestiary in a fiction of the late XX – early XXI century (based on the works of J. Bowen «A street cat named Bob», B. Werber «Tomorrow the cats», J. Coetzee «Disgrace», О. Tokarchuk «Drive your plow over the bones of the dead»).

0420U102389

Ostapovych Mariia

Author's model of the Polish ironic narration (example of Stanislav Dygat).

0520U101695

Demska-Budzulyak Lesya M.

Ukrainian Literary Studies from the Idea to the Text: the Neoclassical Discourse (based on the Literary Studies of the end of XIX and the thirties of XX centuries).

0520U101532

Bondaruk Liudmyla

The Role of a Symbol in the Structure of a Symbolist Narrative (a Case Study of Works by Marcel Proust and Maurice Maeterlinck).