Savchuk I. Existential Motives of a Modernistic Master's World Perception (using material of chamber music of 20th years of ХХ century in Ukraine).

Dissertation is devoted to the chamber music of 20th years of ХХ century in Ukraine in the context of existential philosophical-aesthetical discourse. The notion of a modernistic Master has been brought into the scientific practice, an artist living in the period defined, for whom an existential semantic sphere becomes the dominant one in the creative heritage. Special attention has been devoted to the analytical investigations of phenomena of existential with help of correspondence and memoirs studying and discovering of the noted descriptions-features in chamber creative reserve by B. Lyatoshinsky, by his student - I. Belza and by composers Z. Kassern and J. Kofler. The main body of chamber works used in dissertation are enlisted in musicologist practice for the first time. Besides, the additions to the systematic pointer of B. Lyatoshinsky's chamber-vocal works of 1920th years have been introduced.