Saldan S. Genre-stylish models in piano works of Lviv composers school of the 20th century

Thesis is devoted to the investigations of Lviv composers school as an integrated phenomenon from the point of view of certain genre-stylish models, used by them. The genre aspect has been shown as a system of primary and secondary genres in their scalene interrelation. The stylish aspect is exposed through the comparison of three levels: the style of epoch, school or directions and the individual styles of the composer and his surroundings. In the thesis, the determination of such concept as genre-stylish model is given and the method of design of genre-stylish basis for the pieces of music is offered. As analytical material became the solo plays for the piano of Lviv composers, including miniatures, difficult one-part and cyclic compositions, e.g. variations, suites, partites, and sonatas. Lviv composers school is represented by the names of N.Nyzhankivskyi, S.Lyudkevych, M.Kolessa, A.Soltys, V.Zaderatskyi, R.Simovych, V.Barvinskyi, A.Rudnytskyi, M.Skoryk, B.Filts.