Pylatyuk O. The first performance of musical composition as the phenomenon of modern sociocultural continuum

The dissertation examines the first performance of musical composition as a specific phenomenon in the light of socio-aesthetical, gnoseological and psychological criteria. The objective and subjective parameters of the emotional psychological mindset are provided in this work. The correlation in the process of preparation of „new music” to the first-night premiere is researched. Much attention is paid to observing socio-aesthetical peculiarities of the first interpretation of modern music in the globalized society. The author describes the perspectives of the first performance as a phenomenon of the modern social and cultural continuum. These perspectives comprise the development of the fundamental ideas such as further research of regional traditions of the first-night premieres, development of the gnoseological paradigm of the problem, analysis of musical and psychological, as well as social parameters of the first performance, etc.