Sadovnikova O. Author's Style of J. Brahms (theoretic-methodological and analytical aspects)

The main problem of the thesis is creation of the model of Brahms' style and relevant methodology. Author's style is chosen as a key notion and in category sense it is considered. In accordance with the chosen analytical posi-tion, this category makes it possible to comprehend the composer's style as a phenomenon and to define parameters of the language regularities interaccordance and profound essence of style - the author contemplative position. Eluci-dation of Brahms' style characteristic is done on the mate-rial of his instrumental works by means of sense character-istics analysis and specifics of sense-development in spatial-temporal system. The revealed and marked characteristics make it possible to draw a conclusion about predominance of space and subordination of the well-known Brahms' style phenomena to a common organization principle - plurality, based on the multiaspective logic and corresponds to the multidimensionalness of the sense in its non-material meas-urement - objectivation. This position is stipulated by the composer's personal contemplative position and conditions specific organization of Brahms' works, which is defined by the notion of text activity and helps to form a special style characteristic of Brahms' style - personality communica-tiveness. Personality author's position characterizes quality of composer's styles inner dynamics, self-reveal in the pro-cess of communicative act.