Shkuropat M. Iconity of an Aesthetic Image (based on Works by I.S. Shmelev)

Українська версія

Thesis for the degree of Candidate of Sciences (CSc)

State registration number

0407U003245

Thesis Registration Form

0407U003245.pdf

Applicant for

Specialization

  • 10.01.06 - Теорія літератури

05-07-2007

Specialized Academic Board

К 11.051.11

Essay

The dissertation focuses on studies of the ontological aspect of a literary aesthetic image, which is denoted according to the Eastern-Christian tradition by the notion of ”iconity”. Iconity of a literary aesthetic image is understood as a synergic striving for the prototype. The aesthetic unity of an image becomes a meeting point of semantic floods that change the angle of an aesthetic view. Iconic aesthetic image turns out to be an energetic center, organizing intellectual efforts of a reader. The peculiarity of an aesthetic world of the literary work, possessing iconity, consists in bi-unity of “the picture of the world” and “the icon of the world”, which influences the general idea of the work. Theoretical reasoning is provided for the necessity of taking into account the correlation between the categories of time, space and eternity while analyzing a literary work of a religious trend.

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