Huang C. Phenomen of timbre-type in basse opera singing of XIX - XX cent.

Українська версія

Thesis for the degree of Candidate of Sciences (CSc)

State registration number

0408U001575

Thesis Registration Form

0408U001575.pdf

Applicant for

Specialization

  • 17.00.03 - Музичне мистецтво

19-03-2008

Specialized Academic Board

К 41.857.01

Essay

The work is devoted to a problem of semantics vocal bass, as it developed in opera classics of ХІХ - ХХ cent. In the dissertation emphasize a thinking boundary of mythоlogical-religious sincresis and racionalism in philosophy of panteism, which has made an ideological context of emphasizing opera vocal. The dual nature of vocal art is affirms obvious in bass vocal: the оrigin from mysteral-religious, ritual-ceremonious spheres and simultaneously representation of a secular theatrical nature of singing.

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Files

aref.doc

diss.doc

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