Omelchenko T. "Ukrainian Sonatas for Violin and Piano by 70-90th years of the 20th Century (the Perfoming Problems of the Understanding of Texture-Genres Thematic Organization).

The Dissertation is devoted to the investigation of the perfoming aspect of the texture-genres thematic organization of Ukrainian sonatas for violin and piano by 70-90th years of the 20th Century. The concept of the thematism, genre and texture synthesis have applied to modern instrumental ensemble musik. The sonatas by such contemporary Ukrainian composers as: Ye.Stankovytch ("Sonata piccola"), V.Bibуk (Sonata op.71), Yu.Ishchenko (sonatas №1, №2, №3), V.Sylvestrov (Sonata "Post Scriptum"), M.Skoryk (Sonata №2), M. Sylvansky, V.Ptushkin, O.Shchetinsky became the material of the research. Musik texts and records of these sonatas have been analyzed in the Dissertation. The main principles of the texture-genres thematic organization for contemporary chamber-instrumental music, the reflection of its features in individual composer styles are formulated. For the first time in Ukrainian musical scholarship the comprehensive chronological and alphabetical lists of sonatas for violin and piano have been present in the appendice of the dissertation. These lists are opened by Sonata for violin and cembalo by D.Bortnyansky and completed by sonatas of the 2000-years.