Bondarenko M. A soloist’s cadenza is in focus of co-operation of composer’s and performer’s creation (the Western European piano concerto of XIX century)

The thesis is devoted to soloist’s cadenzas in the piano concerto of XIX century. The address to musical works which are included in the «gold fund» of repertoire of pianists systematizes the knowledges and skills acquired by many generations of performers, lights the unanalysed until now features of existence of given to the phenomenon. The essence of interrelation of cadenza with the genre of solo concert is exposing. Its role is determined in saving of primary confluence of composer's and performers creation. W. A. Mozarts cadenzas is represented as classic decision of problem. The interpretation aspect of cadenza exposes in many models to one work. The various approaches of composers-romantics to cadenza in the ХІХ century are considered.