Putiatytska O. The Bulgarian tune and the Ukrainian-Byelorussian church monodic singing tradition, the end of XVI – XVIII century (source study and comparative-style research)

Українська версія

Thesis for the degree of Candidate of Sciences (CSc)

State registration number

0409U002488

Thesis Registration Form

0409U002488.pdf

Applicant for

Specialization

  • 17.00.03 - Музичне мистецтво

27-05-2009

Specialized Academic Board

Д 26.005.01

P. I. Tchaikovsky National Music Academy of Ukraine

Essay

The thesis is devoted to discover the specificity of the existing Bulgarian tune in Irmoloys, the end of XVI – XVIІІ centuries and to illustrate the style specificity of the Bulgarian tune in the context of the church singing in the Ukrainian tradition. During the research the composite analysis technique and lado-intonational and melodic turns structures have been improved. The comparative research in the church singing in the Dogmatik eight-voices genre of the Bulgarian tune and the noninstructive tune of the Ukrainian tradition from the Irmoloys notolines book, XVIІ century has been completed.

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Files

aref1.doc

Путятицька О.В. Дисертація--1. ДОДАТОК А.1..doc

Путятицька О.В. Дисертація--2. ДОДАТОК А.2..doc

Путятицька О.В. Дисертація--3. ДОДАТОК Б.1..doc

Путятицька О.В. Дисертація--4. ДОДАТОК Б.2..doc

Путятицька О.В. Дисертація--5. ДОДАТОК В..doc

Путятицька О.В. Дисертація--6. ДОДАТОК Д..doc

Путятицька О.В. Дисертація--_Путятицька О.В. Дисертація.doc

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