Tu D. Parallels of art development of European and Chinese opera theatre.

Українська версія

Thesis for the degree of Candidate of Sciences (CSc)

State registration number

0410U000661

Thesis Registration Form

0410U000661.pdf

Applicant for

Specialization

  • 17.00.03 - Музичне мистецтво

17-02-2010

Specialized Academic Board

К. 41.857.01

Essay

The idea of research consists in designation of parallels of musical theatre’s development of China and Europe with a support on archetypes of trickster in representation of females’ positive characters and in advancing by Chinese Theatre of romantic collisions embodiment of European opera in the Art of Middle Ages as the "Chinese Renaissance" by M. Conrad for organics of performing conception of the appropriate parties of singers in China and Europe."Romantic irony" of the 19-th century legated a kind of ambivalence of the seriousness - comicality, in which predominance of the first created exceptional conditions for refraction of archaic trickster's complex in favour of lyrical excessiveness of expression.

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