Chekhuninа A. Chekhuninа A. O. Bachianstvo (Вach's tradition) as a set for composer's and performer's creative work of the XIX-XX centuries.

The dissertation is devoted to the awareness of the Bachianstvo phenomenon (bach's tradition) in professional musical art of the XIX-XX centuries. The investigation of the bachianstvo (bach's tradition) as a creative set of a composer and a performer is based on the theoretical backgrounds of the psychological set concept, worked out by D. Uznadze. The focus on modeling the art positions of Bach in author's style by means of following the composition principles of GTK, саntаtа or pasion or using fugue as a key architectonic and texture quality, joint use of instrumental linearism as a symbol of high music rhetoric of a German master is defined as "bachianstvo" (bach's tradition) in solidarity with the terminological practice that is established in the professional environment ("Mozartianstvo", "Beethovenianstvo" etc.).