Bila K. The instrumental concert genre-style model and concept principles of the composer's interpretation (on the examples of pieces by L. Kolodub)

The dissertation search is caused by science interest of the topic and by the important place the instrumental concert genre takes in modern composer's practice. The genre-style model conception is widening to be more than the universal analysis system; it is also becoming the preferred method for the composer's interpretation research. The conception of the composer's interpretation is formulated. The composer's interpretation model is the genre-style model. The composer's interpretation process is the creative freedom of the choice of the genre-style parameters that are necessary for their artistic conception embodiment. The research aspect of the dissertation is the theoretic analysis of the composer's interpretation of the instrumental concert genre style model. The dissertation research the historical development of the instrumental concert genre and the modern implementation of that genre. The Dissertation contents the first musicologist analysis of concerts for wood wind instruments by L. Kolodub. These pieces are a great example of how certain traditions of the genre are transformed for the composer's best idea embodiment.