Murashevych K. The artistically-aesthetic phenomenon of the May Fourth poetry in Chinese literature at the beginning of XX century.

Українська версія

Thesis for the degree of Candidate of Sciences (CSc)

State registration number

0411U003388

Thesis Registration Form

0411U003388.pdf

Applicant for

Specialization

  • 10.01.04 - Література зарубіжних країн

27-04-2011

Specialized Academic Board

Д 26.001.39

Taras Shevchenko National University of Kyiv

Essay

The May Fourth poetry arose on the basis of longstanding traditions, but at the same time it was expressing new aspirations and views of Chinese people. That's why the May Fourth poetry is a mixture of traditions and new tendencies. The main role in the development of the May Fourth poetry was played by contact links, which influenced this poetry through translated works of European, American and Russian authors. Due to the influence of Western literature such literary trends as romanticism, realism and symbolism appeared in China during the May Fourth Movement, and due to them different literary groups were formed among Chinese writers.

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Files

Автореферт Мурашевич.doc

Диссерт. Мурашевич.doc

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