Mikhailenko M. Methodology of formation of performing skills of a guitarist

The present dissertation is deducted to study and solution of problems and questions of modern art of classic guitar, - their analysis and cause-and-effect relation, their ways of solving and perspectives. Their sphere covers cardinal questions of artistic techniques of a guitarist, such as orientation, coordination, synchronism of moves, which are the main factors for a freedom of performing apparatus and their psychophysiological aspects; questions of position and freedom, general characteristics of acoustic and motor actions and their psychophysiological presuppositions – performing tone, technical dominant. Considerable attention is deducted to specific performing aspects of nature of guitar sound, its timbre and dynamic components, fingering and stroke method, which is based on more concrete and realizing it aspects – techniques of right and left hands; questions of its automation, positional play, vibration, acoustic and motor memory on the basis of anticipatory acoustic imagination, which form skills of psychotechnics. Questions of specifics of performing hearing of a guitarist are enlightened on the basis of deep musical and theoretic and special performing analysis of work under polyphony of I. S. Bach, which occupies a considerable place in concert and pedagogic repertoire.