Rusalova A. St. Petersburg Semiosphere in Creativity of Vladyslav Panchenko

Українська версія

Thesis for the degree of Candidate of Sciences (CSc)

State registration number

0413U001556

Thesis Registration Form

0413U001556.pdf

Applicant for

Specialization

  • 17.00.03 - Музичне мистецтво

22-02-2013

Specialized Academic Board

К 64.871.01

I.P. Kotlyarevsky Kharkiv National University of Art

Essay

The dissertation is devoted to define the specifics of composer's interpretation of the St. Petersburg semiosphere in Panchenko creativity. The history formation of St. Petersburg semiosphere has been investigated with reduction of historical stages in triad: thesis-antithesis-synthesis; its originality is revealed by realization of the semiotics analysis of music pieces as samples of the Petersburg text of synthesis epoch (symphonic pictures "Mednyj Vsadnik", Choral cycle "Peterburg Andreya Belogo ", cant-parade "Peter-Vivat", a vocal cycle " U Ogrady Letnego Sada", a musical "Ljubov' v Stile Modern").

Read more

Files

aref.doc

dis.doc

Similar theses

0523U100249

Yuliia O. Hribinienko

Theoretical and categorical principles of musical textology as an actual musicological discipline.

0423U100020

Shevchuk Iryna H.

Ukrainian choral music in line with spiritual and aesthetic institutions of Ukrainian culture in the first half of the 20th century.

0522U100001

Tukova Irina Gennadievna

Music and Natural Science: Interaction of Worlds in the Epochs' Mental Habits (17th - the Early 21st Century)

0522U100009

Vadym Rakochi

Seventeenth and Eighteenth-Century Instrumental Con- certo: Genesis, Classification, Orchestra

0522U100010

Kapliienko-Iliuk Yuliia Volodymyrivna

Music Art of Bukovyna: Style Paradigms of Composer Art of the XIX–XXI centuries.