Danshyna N. The features of renaissance vocal music performance in the condition of Ukrainian choral practice

Dissertation is dedicated to a problem of the sound image revival of the Renaissance vocal work as historical and style phenomenon which found again its sound form in a historically oriented performance practice of the second half of the XX century. Leading aspect of this problem is the necessity of development of performance facilities complex of Renaissance vocal music and subsequent adaptation of this complex to the conditions of undifferentiated in a stylistic aspect musical education of the Ukrainian musicians. The text of renaissance vocal piece and performance facilities of its realization are given as elements of the stylish system. The "musical text" (score) is examined as authentic system of writing as a carrier of stylistic information, "verbal text" as a main element of the complete system, and also "sound text" as a complex of facilities which form the features of voice appearance actually in renaissance vocal music. Methodical and theoretical bases of work in the historically oriented direction of performance are considered. Approbation of basic principles in-process with the collective of singer enabled to discover and generalize methodical positions of working of this music exactly by Ukrainian performers. The concrete sequence of "steps" of work in this manner of performance is offered.