Shmelova N. Vitaly Gubarenko - Alexander Vostryakov: ways of cooperation in the cultural space of the Kharkov school

Dissertation is devoted to the creative cooperation of composer and performer. The innovative lines of V. Gubarenko's chamber-vocal style are comprehended and that specific role that a performer-singer plays this process are considereted. The new view of V. Gubarenko's chamber-vocal inheritance studying and problems of composer's style becoming is offered. Revealing of new ways in chamber-vocal works as musical text that represents in itself individuality of singer-performer. The V. Gubarenko's vocal lyric is characterized in her correlation with performance practice. The features of musically-poetic synthesis of composer's chamber - vocal music of different periods of work are revealed. On the example of early unpublished works 1950th and four vocal cycles (on the words of I.Utkin (1963), І. Drach "Paints and moods" (1965), V.Sosura "Stretch hands" (1977), D.Pavlichco the "Autumn sonnets" (1983). The creative portrait of Alexander Vostryakov is created as a prominent representative of modern vocal art. The personal touches of his performance style are come to light. Features and prospects of performance interpretations of V.Gubarenko's music are marked. The results of creative concord of V. Gubarenko and А. Vostryakov are analysed and based on documantal archives.The V.Gubarenko's monoopera "Solitude" is analised. For the first time ways of V. Gubarenko and А. Vostryakov are considerated in parallel as musicians belonging to one professional school.