Bobechko O. Bandura art of the twentieth century in the context of the feminization

Українська версія

Thesis for the degree of Candidate of Sciences (CSc)

State registration number

0414U001239

Thesis Registration Form

0414U001239.pdf

Applicant for

Specialization

  • 17.00.03 - Музичне мистецтво

24-01-2014

Specialized Academic Board

К 35.869.01

Lviv national music academy named after M.V. Lysenko

Essay

The thesis investigates the bandura art in the twentieth century, in the gender context. The author accomplishes the analysis and assesses female bandura art through personal and collective practices in Ukraine and the diaspora during the twentieth century. Due to historical circumstances three stages of feminization in the Ukrainian bandura art are distinguished. The author highlights the little known facts of the first female bandura performers - О. Levadna, L. Barvinok, М. Grebenyuk-Darmanchuk, E. Lemish, G. Bilogub-Vernygir as well as the work of famous contempo-rary bandura players - L. Posikira, О. Herasymenko, G. Menkush, G. Toporovska, L. Mandzyuk.

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Files

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dis1.doc

dis1.doc

dis2.doc

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