Kosinova О. Concept of panmelodiousness in P. Tyehyna's works

In the dissertation concept of panmelodiousness in P.Tychyna's works as a universal principle of art and intermedial author strategy is justified. Literary-critical and theoretical approaches due to the concept of melodiousness and panmelodiousness of P.Tychyna are classified. It is proved, that his panmelodiousness is a specific form of dialogue culture practiced through the interaction of different sign systems. Musical themes in intermedial author strategy are outlined, in particular semantics of musical motifs and ekphrasis - works, inspired by music. Much attention is paid to musical genres transformations in P.Tychyna's works - vociferations, spring-songs, dumas, workers songs, rondo, ballads. Sonata-variation forms transformation as media panmelodiousness is considered, signs of rhapsody, suite, rondo compositions, symphony, requiem, oratorio, theme with variations in P.Tychyna's works are interpreted. Speech- expressive means are characterized, with the help of which panmelodiousness is achieved, in particular tropes and modes of musical orchestration.