Zhaleyko D. Kitsch and its transformation in the creative works of Valentin Silvestrov

Українська версія

Thesis for the degree of Candidate of Sciences (CSc)

State registration number

0416U002296

Thesis Registration Form

0416U002296.pdf

Applicant for

Specialization

  • 17.00.03 - Музичне мистецтво

28-04-2016

Specialized Academic Board

К 64.871.01

I.P. Kotlyarevsky Kharkiv National University of Art

Essay

The dissertation is dedicated to the development of Kitsch Theory as a phenomenon of the musical arts in ХХ - ХХI centuries. On basis of the philosophical and sociocultural legacy of ХХ centuries semantic meaning of Kitsch, its sociocultural and axiological prerequisites for formation were systematized.Kitsch in academic music oeuvre is an intonation form, which is made by a composer of the "intonation dictionary of the epoch" without any individual activity and independence ("ordinary art", forgery) or by the method of modelling and transforming that reflects the stereotypical human's ideas of the Beauty in the axiological dynamics of musical arts ("high" art, its transcendental essence).

Read more

Files

aref.doc

dis.doc

Similar theses

0523U100249

Yuliia O. Hribinienko

Theoretical and categorical principles of musical textology as an actual musicological discipline.

0423U100020

Shevchuk Iryna H.

Ukrainian choral music in line with spiritual and aesthetic institutions of Ukrainian culture in the first half of the 20th century.

0522U100001

Tukova Irina Gennadievna

Music and Natural Science: Interaction of Worlds in the Epochs' Mental Habits (17th - the Early 21st Century)

0522U100009

Vadym Rakochi

Seventeenth and Eighteenth-Century Instrumental Con- certo: Genesis, Classification, Orchestra

0522U100010

Kapliienko-Iliuk Yuliia Volodymyrivna

Music Art of Bukovyna: Style Paradigms of Composer Art of the XIX–XXI centuries.