Polianska T. The trio-sonata as a typological phenomenon of genre in European art music of the XVII-XVIII centuries.

Українська версія

Thesis for the degree of Candidate of Sciences (CSc)

State registration number

0417U000485

Thesis Registration Form

0417U000485.pdf

Applicant for

Specialization

  • 17.00.03 - Музичне мистецтво

18-01-2017

Specialized Academic Board

К 41.857.01

Essay

This research investigates the trio-sonata phenomenon in delivery of the sacral idea of Trinitarity in which the ratio sonata da chiesa - sonata da camera presents facets of typologized consciousness of general church public and saloon camerata refinement of instrumental sounding. Historical ways of development of sonata indicate the center of its inner inclinations to concertness, first in Southern school, then in the Italian one, whereas the Northern school and later the German one accent their aspiration to symphony - orchestra-likeness, realizing the tendency of separating of the nondenominational, dramatized instrumentalism.

Read more

Files

aref.docx

dis.docx

Similar theses

0523U100249

Yuliia O. Hribinienko

Theoretical and categorical principles of musical textology as an actual musicological discipline.

0423U100020

Shevchuk Iryna H.

Ukrainian choral music in line with spiritual and aesthetic institutions of Ukrainian culture in the first half of the 20th century.

0522U100001

Tukova Irina Gennadievna

Music and Natural Science: Interaction of Worlds in the Epochs' Mental Habits (17th - the Early 21st Century)

0522U100009

Vadym Rakochi

Seventeenth and Eighteenth-Century Instrumental Con- certo: Genesis, Classification, Orchestra

0522U100010

Kapliienko-Iliuk Yuliia Volodymyrivna

Music Art of Bukovyna: Style Paradigms of Composer Art of the XIX–XXI centuries.