Kostogryz S. On Balalaika Playing in Charkivshchina as an Integral Part of Ukrainian Musical Art

Українська версія

Thesis for the degree of Candidate of Sciences (CSc)

State registration number

0417U001245

Thesis Registration Form

0417U001245.pdf

Applicant for

Specialization

  • 17.00.03 - Музичне мистецтво

30-01-2017

Specialized Academic Board

К 64.871.01

I.P. Kotlyarevsky Kharkiv National University of Art

Essay

The present thesis is dedicated to the art of balalaika playing as integral part of the academic art of folk instrumental performance. While writing this thesis I have defined the ways of the balalaika playing historical development in Charkivshchina and suggested a corresponding period classification. I characterized the role of iconic musicians M T. Lysenko, M. M. Tkachоv, V. O. Zabolotnyi in the overall process of this musical instrument playing acquiring a certain academic meaning. I generalized historical experience of balalaika playing in Slobozhanshchina in terms of genre and style dynamics of composition practices in 20-21th centuries. I defined complex of texture and register, timbre and phonic performance techniques.

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Files

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