Tang Z. The specificity of bass interpretation at the opera of 17th - 19th century: inter theatrical character and temper

Українська версія

Thesis for the degree of Candidate of Sciences (CSc)

State registration number

0417U003387

Thesis Registration Form

0417U003387.pdf

Applicant for

Specialization

  • 17.00.03 - Музичне мистецтво

26-06-2017

Specialized Academic Board

К 64.871.01

I.P. Kotlyarevsky Kharkiv National University of Art

Essay

The dissertation is devoted to bass expressive possibilities in operas of 17th - 19th century over the relation of theatrical character and temper in the score-role. The thesis generalizes the information about notions of "theatrical character" and "temper", as well as their dialectical interrelation. Functions of theatrical character and temper as inalienable constituent of opera tradition are discovered. There is examined the structure of opera-scenic theatrical character. Bass scores in operas of 17th - 19th century are analized over the relation of theatrical character and temper.

Read more

Files

aref.doc

dis.doc

Similar theses

0523U100249

Yuliia O. Hribinienko

Theoretical and categorical principles of musical textology as an actual musicological discipline.

0423U100020

Shevchuk Iryna H.

Ukrainian choral music in line with spiritual and aesthetic institutions of Ukrainian culture in the first half of the 20th century.

0522U100001

Tukova Irina Gennadievna

Music and Natural Science: Interaction of Worlds in the Epochs' Mental Habits (17th - the Early 21st Century)

0522U100009

Vadym Rakochi

Seventeenth and Eighteenth-Century Instrumental Con- certo: Genesis, Classification, Orchestra

0522U100010

Kapliienko-Iliuk Yuliia Volodymyrivna

Music Art of Bukovyna: Style Paradigms of Composer Art of the XIX–XXI centuries.