Mirzojan K. The art of choral and solo vocal: genesis and evolutionary interactions

The dissertation is dedicated to the revealing of genesis and evolution of the singing traditions that generate vocal with its sacred-choral genesis, and in real life combination trends of the choral-solo unity vocalization in the works of composers and some outstanding opera singers of the 20th century. As a theoretical summary of the research performed, we present the concept of singing - vocal, as it is corrected by the analysis of the composers' works of the XIX-XX centuries that addressed the "borderzone" of the vocal-choral and vocal-solo sound study, as well as outstanding opera singers, the vocal skills of which were laid down with the life circumstances based sensitivity to the Orthodox, holding the first Christian principles, choir and church singing settings (F. Shalyapin, M. Kallas, M. Mikhailov, I. Kozlovsky).