Dyachenko Y. Stage and Jazz direction of bayan- accordion art in XX – early XXI centuries: composers’ and performance measurements

Українська версія

Thesis for the degree of Candidate of Sciences (CSc)

State registration number

0417U004097

Thesis Registration Form

0417U004097.pdf

Applicant for

Specialization

  • 17.00.03 - Музичне мистецтво

02-10-2017

Specialized Academic Board

К 64.871.01

I.P. Kotlyarevsky Kharkiv National University of Art

Essay

Dissertation is devoted to the theoretical explanation of stage and jazz direction of the world bayan-accordion art in the XX - early XXI centuries. An idea about the development of bayan-accordion art has been systematized; Stage and Jazz direction has been marked (as a set of composition and performing), and the historical stages of its development have been defined. Analysis matrix of the stage and jazz composition has been proposed and it was tested on the art material of A. Biloshytsky, A. Van Damme, V. Vlasov, R. Wurtner, A. Haidenko, R. Galliano, V. Novikov, V. Gridin, G. Deiro, E. Derbenko, V. Zubytsky, F. Marocco, B. Myronchuk, Ja. Oleksiv, V. Podgorny, A. Piazzolla, A. Stashevsky, A. Fossen.

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Files

aref.doc

dis.doc

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