Su Y. Compositional and dramatic features of Chinese program concerts for soloist and orchestra of traditional instruments

In the centuries-old history of the development of Chinese orchestral culture, several phases are formed, which became the basis for forming the genre of a program concert for a soloist with the orchestra of Chinese traditional instruments. From the point of view of the compositional and dramatic organization, Chinese concerts for the soloist and orchestra are divided into two types: a) one-part concerts in which the plot type of musical programming is used; b) multi-part concerts, which are used with a picture type of musical programming. In the analyzes, the method of reconstruction of the generalized composition-dramaturgic model, inherent in each of the types, is used, with subsequent identification of the features of the model transformation in each of the ten selected for the analysis of concerts