Oliinyk S. Regional perception of musical oeuvre (on the examples of the works by F. Chopin, R. Wagner and F. Liszt in musical culture of Lviv).

The concept of perception of the musical oeuvre is used in terms of denomination specific regional priorities of a composer’s work, their perception, understanding and interpretation. The perception of the musical oeuvre by the local audience may have the following characteristics: regional activity of a composer or people closely connected with the composer; the composer’s pieces of music being included into regional concerts and educational repertoires; local traditions and the composer’s heritage; scientific researches into the composer’s life and activity; public honouring celebrations – organization of anniversary ceremonies, exhibitions, museums, giving the name of the composer to public institutions, etc.; the impact of the composer’s work on the local culture, including music (both writing and playing), other art forms such as poetry, literature, painting. To define a complex of different perception directions and spheres of creativity in the region, we apply the term of the infrastructure of composer’s work.