Chernyk M. Nominative, Stylistic, Communicative and Discursive Parameters of Art Phenomenon Actualization (Based on English Literary Texts)

This thesis is devoted to complex analysis of nominative, stylistic, communicative and discursive parameters of art phenomenon actualization in English literary texts. The work considers art phenomenon as culture element in the system of humanities knowledge, functioning in close connection with language, and has a potential of aesthetic, emotional, and informative influence. The mechanisms of artistic realia incorporation into literary text are determined, actualizing the notion of intertextuality, which is realized by means of the use of ekfrasization, terminologization, determinologization, metaphorization, leitmotivization, and imitation. Linguistic aspects of art phenomenon actualization are analysed from the point of view of its categorization in language picture of the world, nominative and stylistic aspects of artistic realia semiotic semantization and its communicative and discursive peculiarities in language. The research deals with nominative and stylistic parameters of artistic realia in English, which are exteriorized due to the use of artistic realia nominations in lexico-semantic field of art and their descriptive and predicative markers verbalization. Artwork is considered as message in artistic communicative situation on the basis of the analysis of its role, functions, forms, and introduction stages in English literary texts. Status and role characteristics of the communication participants in the artistic discourse are classified according to quantitative and qualitative parameters, the peculiarities of interaction between representator and recipient of the artwork are described. Time and space parameterization of the artistic discourse on the basis of the existing chronotope classifications is performed, dominant aspects of art phenomenon realization in time and space are distinguished. The peculiarities of artworks information channels functioning are revealed on the basis of homo- and heterogeneous vectors of artistic realia sensorization. The main aspects of background knowledge realization in the process of artworks decoding in English literary texts are analysed.