Liu Y. Personification of musical expression as an executive problem (on the material of chamber and vocal music of Chinese composers of the twentieth century)

The dissertation is devoted to theoretical substantiation of problems of the embodiment of artistic image in chamber-vocal art. On the basis of the general theoretical questions of the refraction in the music of the patterns of artistic image, the disclosure of the forms of his existence, as well as the relationship in the structure of "the personality of the composer – musical composition – the person of the performer", the concept of "personification of the musical expression" and the specifics of its embodiment in the process of performing interpretation are considered. The development of Chinese chamber vocal lyrics of the twentieth century is inextricably linked with the development of world vocal art. Using this experience, Chinese composers convey their national identity to their creativity. In the process of analysis of the chamber vocal works of Chinese composers of the twentieth century, the following types of personification of the musical expression are revealed: "I am I" as a model of lyrical self-expression; "I am the Other" as a model of an epic-dramatic story; "I am the World" as a model of sacred and mythological artistic synthesis. Therefore, the executive I must be implemented in the above models with the help of a certain executable "program", the main provisions of which are: the color of the voice; emotional feed; character "sound of birth" and "bearing" of sound; articulation, dynamics, agogic; drawing up a melodic line; breath; decoration of climaxes; reaction to words; accented musical tricks; the nature of the interaction of vocal and instrumental parties.