Zhu X. Liszt's piano cycles as a subject of musical-performance conceptualization

The dissertation is devoted to the consideration of program piano cycles of F. Liszt in the context of conceptual-semantic, musical-textual and cognitive compositional and performing approaches. All of them together allowed to describe the mechanisms of transformation of feelings and mental operations to the level of images-concepts, to analyze and typologize the author's concepts of Liszt as a metatext. The concepts of the concept in a wide discursive circle of linguocognitological, philosophical and art studies, as well as the phenomenon of conceptualization in the art of music are studied; its peculiarities in F. Liszt's piano cycles are revealed. Peculiarities and principles of musical cyclization as a semantic compositional and performing phenomenon are revealed. The interaction of cyclicity and programmability in F. Liszt's piano creativity is traced; Letter program is recognized as a special phenomenon that indicates the ability of musical-textual sound forms to create their own subject content based on the possibilities of piano sound, ie based on the performing component of the artist's work. For the first time the classification of the basic concepts of letter art is carried out; means and ways of their embodiment in F. Liszt's piano music are revealed. Liszt's piano cycles ("Years of Travel", "Poetic and Religious Harmony", "Christmas Tree") are considered as a means and result of artistic conceptualization of romantic ideas. The conceptual orientation of musicological analyzes of Liszt's piano cycles allows us to propose a new musicological and performing interpretation of the creative phenomenon of this composer.