Hryhorieva O. Vocal cycle in the work of D. Klebanov: aspects of the interpretation of the genre

The thesis is devoted to the study and development of the scientific base according to the assessment of the artistic contribution of the composer D. Klebanov to the culture of modern Ukraine; Periodization of creativity D. Klebanov as a component of the composer process of the twentieth century; Clarifying the innovation of the composer in the interpretation of the genre model of the vocal cycle of Western Europe and domestic traditions; Identifying the principles of interpretation of the vocal cycle and the analysis of the main composer methods of D. Klebanov in the process of musical incarnation of the poetic word. The structure and content of the vocal cycles of D. Klebanov on I. Krylov’s fables, A. Pushkin’s verses, poems of G. Gayne, T. Shevchenko, L. Kostenko were also considered. The features of the unity and differences between the sense, forms, and genre formation inherent in the poetic source and its composer interpretation are established. The role of through (cross-cutting) poetic and intonational meaning methods is determined. The purpose of the study is to identify the basic parameters of the interpretation of the vocal cycle genre in the work of D. Klebanov. Research tasks: Systematize scientific sources on the problem of the vocal cycle; Develop a periodization of the evolution of the vocal cycle in the work of D. Klebanov; Reveal the features of the individual composer’s interpretation of the vocal cycle in the work of D. Klebanov; Determine the specifics of the selection of poetic texts and their interpretation in D. Klebanov’s vocal cycles.