Kobzar E. Friedrich Hebbel's works and transformation of mythological paradigms in German drama of 1840-1860 years.

This thesis in literary studies in single system approach presents a comprehensive structural and semantic and functional-stylistic analysis mythopoetics F. Hebbel. in the context of philosophical explorations of German Romanticism in the theory of myth and German drama middle of the XIX century. The purpose is isolate and analyze the leading types of mythopoetical paradigms of German drama of the XIX century (archaic, ancient, Christian, national and historical). The mythopoetical paradigm describes the main complex of dominant mythological models, their structural and semantic modification and transformation. Great importance is attached to the work of intricate mythological works of author, outlines the major policies and trends mythologized specified period, in the context of literary development in German drama. Based on the analysis of dramatic works of this period proved the functioning of mythological structures that have not been studied yet in the reception of scientific creativity German writers of the XIX century (L. Tieck, E. Raupakh, F. Grabbe, H. Kleist, F. Hebbel, R. Wagner etc.). The paper found that the main unifying factor in artistic creativity German writers of "Hebbel-Wagner's period" is the creation of "national myth", which must to consolidate the collective consciousness in the period of national division and the formation of national identity.