Androsova D. From modern to postmodern diskurs of piano art in XX - begining XX cent.: performance specification.

The Thesis is dedicated to intelligence of performance-piano proection of stylistic typology of music art in ХХ - begining ХХI cent. and its hystorical dynamics in all variety of artistic styles and directions frоm modern tо postmodern diskurs. Performance specification of styles and directions in art of ХХ-beginning ХХІ cent. was discovered on base of the scientific literature on appropriate problematics, differentiated and systematized stylistic formation composers and performance creative activity of XX - begin XXI_cent. in their projections on pianistic specifics. The material of the research are piano works of prominent composers of XX cent., which row is recognized in fundamental works of R. Retie, B. Sch?ffer, S. Pavlishin and others bearers of stylistic forming tendentions in music art. This is C. Debussy, L. Berio, B. Bart?k, S. Prokofiev, A. Sh?nberg, S. Rachmaninov, E. Var?se, L. Russolo, F. Poulenc, O. Messiaen, I. Wyshnegradsky; the ukrainian master - N. Lysenko, B. Latoschynsky, V. Silvestrov, A. Stanko and others. Central paragraph of thesises is dedicated to analysis of the cardinal principles piano modernist style on example of performance interpretations by G.Gould. The particularities was studied of postavanguard piano style (M. Argerich, S. Houff and others), in particular representatives of modern ukrainian piano performance (O.Kozarenko, A.Botvinov and others.).