Molchanova T. The art of Pianist-concertmaster: historical and methodological discourse-analysis

The dissertation is devoted to the becoming of the pianist-concertmaster art in the context of musical and historical processes. It examines the history and methodology of this kind of performance. The art of concertmaster is considered as the integral phenomenon in cultural and historical space, methodologically approved on musicological basis for the first time. Its sociocultural and aesthetic pre-conditions, historical modifications, motive forces and modern state are interpreted. The dynamics of these processes is studied both within the framework as of one culture and intercommunications between different cultures also, taking into account the nationally-mental foreshortening. Genre-stylistic transformation of chamber vocal, instrumental, dancing music and organological constituent of instrument in the context of cooperation of factors that determine their use in the format of the duet carrying out are considered.