Dremlyuga M. Cinematographic discourse of psychoanalysis

The object is interpretation of psychoanalytic theory of Z.Freud into the world cinematography; the aim is to analyse the cinematographic model of psychoanalysis; the methods are properly psychoanalytic, those of analytic psychology, individual psychology and method of historical modelling; the new approach lies 1) in reconstruction of the experience of cinematographic interpretation of three basic components of orthodox psychoanalysis (the theory of unconscious, the theory of child's sexuality and the dreams theory); 2) in performing comparative analysis of the masterpieces in different arts; 3) in introducing into the cinematographic sciences the books by W.Gauzenshtein, V.Friche and D.Fernandes; the results are 1) generalization of cinematographic experience of using psychoanalytic ideas; 2) analysis of the specific characteristics of the films with psychoanalytic orientation; the fields are theory and history of cinematography, theory and history of culture