Мakarchuk F. The phenomenon of exercises of Isidor Philipp in world culture of piano performing

The dissertation is devoted to scientific research of the phenomenon of exercises of Isidor Philipp in world culture of piano performing. Questions of source study, conceptual, terminological and classification character concerning judgement of a phenomenon of exercises of I.Philipp in a history and the theory of musical culture are considered. New approaches - methodology of culturologycal synthesis and clavikinemalogy - in the analysis of object and an object of research are produced. Are determined eidologycal bases of pianistic exercises in systemable humanitarian forms, natural-science parameters, logic structures and methodological approaches in definition of the phenomena and processes of their natural realization. In a result the explication of exercises of I.Philipp in education of technical skills, the further perfection of performing culture and pianistic skill is given. It allows to solve tasks in view not only on their direct material in I.Philipp's didactic works, but also on the analysisof the phenomenon of exercises as such in a science and its concrete definition in piano performing, pedagogics and a technique, in particular, common musical which value assumes the account of all specified and in other musical - performing disciplines at statement and the decision of similar tasks.Тhe received results, and also the data of domestic experimental physiology and psychology open opportunities of definition of theoretical bases of pianistic exercises on their concept, formulating thus the organic law of the sound's creating in art pianistic the games, having key conceptual - terminological, methodical and technological value in carrying out of pianistic exercises. The question is about primary basic syncresise soundkeys and earkeys in work of bodies of musical speech of the pianist - fingerkeys the pianistic device, that as a whole and in essence makes quite real beginning of construction of the scientific theory of pianistic exercise. On the basis of judgement of a phenomenon of exercises as such and at I.Philipp, in particular, and also the law formulated in the dissertation the new typology of stage-by-stage formation of technical skills and their exercises / fastenings is offered. In the dissertation new terminology for research of a phenomenon of exercises of I.Philipp and other schools of exercises is offered both in the field of world piano performing, and in the field of perfection of culture of mastery in its known kinds and techniques. In exercise laws of overcoming of pianistic difficulties of logic and methodological character are determined. The conclusion that all case of exercises of I.Philipp represents itself that other as a method and polyvariant system of education of technical equipment and perfection of pianistic skill in their fundamental and impressive - style aspects is essentially important. As shown in the dissertation, I.Philipp's pianistic concept rendered and continues to render indisputable influence as on the decision of the important questions of a history, the pianistic theory and its techniques at various national and personal pianistic schools, and on development pianistic arts and pedagogics in musical culture XX and nowadays ascending century.