Zaytseva L. Ontological conception of music: on example of the societies and religious genres.

The objectis the ontological musical status in two spheres of its existence: social professional and church religious ones; the aim is the cultural foundation of ontological musical conception on the basis of semiotic description of genre ontologism models; methods are complex, systematic, cultural ones; the novelty is a theoretically grounded and practically tested universal model of ontological creativity of musical piece that includes the semiotic description of musical speech elements, outer and external communication factors in the system „space – time - sense”; new ontological notions, namely ontological genre models, synergy’s dramaturgy, ontodialog have been introduced into notion of music theory; the results – methodological fundamentals of ontological music piece analysis have been determined, Christian anthropology categories in music theory practice have been used; the branches are musical philosophy, cultural theory, musical art.