Zinych O. Plasticity in M. Ravel's ballet music (in aspect of interaction of arts).

Українська версія

Thesis for the degree of Candidate of Sciences (CSc)

State registration number

0404U004796

Thesis Registration Form

0404U004796.pdf

Applicant for

Specialization

  • 17.00.03 - Музичне мистецтво

24-11-2004

Specialized Academic Board

Д 26.005.01

P. I. Tchaikovsky National Music Academy of Ukraine

Essay

In the dissertation for the first time a phenomenon of plasticity is considered in unity of displays of its immanent properties in spatial, spatial-time arts and music. That has allowed to systematize directions in interpretation of essences of plasticity, which have been developed in different spheres of knowledge and to offer author's definition of plasticity and plastics in music. In dissertational research for the first time also two universal principles of plasticity - statuesque and dynamical are generated, that has enabled to create typology of plasticity in music, to work up three different types of expression of plasticity. For the first time in dissertation in the aspect of specification of transformation of plasticity ballets “Adelaida or Language of Flowers”, The Florina’s dream”, “Waltz”, “Bolero”.

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Files

AREF.doc

DISS-Glava1.doc

DISS-Glava2.doc

DISS-Glava3.doc

DISS-Spis.doc

DISS-Veden.doc

DISS-Zakluchenie.doc

Титул.doc

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