Bracka M. The discourse of the Cossacks in poetry of the "Ukrainian school" of the Polish romanticism.

Українська версія

Thesis for the degree of Candidate of Sciences (CSc)

State registration number

0405U002887

Applicant for

Specialization

  • 10.01.05 - Порівняльне літературознавство

22-06-2005

Specialized Academic Board

Д 26.001.15

Taras Shevchenko National University of Kyiv

Essay

The thesis is dedicated to the investigation of discourse of the Cossacks in poetry of little known representatives of the "Ukrainian school" of the Polish romanticism. It is an integral part of the cultural paradigm of Ukrainian and Polish borderland and is considerated under influences and interrelations with literature, history and folklore of Ukrainians. At the same time sociocultural status of the borderland in the works of Polish romanticists make it possible to speak on its marginal state as it touches only partially with each cultural system on the one hand and its synthetical character, that is association of elements of each of them on the other hand. Ideological and aesthetic literary work centre of the Ukrainian poet's school is concentrated around the main figure of Cossack, which was significant and specially propagated in Polish literature in the first half of the XIX century as the consequence of extrapolation of European romantic tendencies of reference to the historical and folklore method. Poetical works of Polish romanticists of the "Ukrainian school" is considerate under comparative and typological aspect in the view of numerous personification of Cossack figure. It is proving, that commonplace of the Cossacks is accumulating the variety of commonplaces paradigm (liberty, love, defeat, revenge, death, etc.) is characterized by ambivalence portray. In the thesis were investigated mental conception of the Ukrainian poet's school about the Cossacks. Interpretation of ethnic stereotypes (Ukrainian-Cossack, Polish, Tatar, Jew) in the poetry of the "Ukrainian school" is realized in mutual contest and on bases of the one's own and outsiders' opposition. Special importance in the literature of the borderland gets the category of "other". Key words: discourse, borderland, marginal literature, commonplace of the Cossacks, historicism, folklore, commonplace of liberty, commonplace of defeat, ethnic stereotype, binary one's own and outsiders' opposition, "other".

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