Poltavtseva O. Antropology of musical corporealness

The object of study - musical art as a phenomenon of culture in its intonational-sound and philosophical-reflectional aspects. The aim - philosophical-anthropological analysis of music as a phenomenon of culture which concentrates on investigation of human corporealness. Methods are comparative-historical, phenomenological and the method of musical-theoretical and theological and performance analysis. Theoretical results and their novelty is caused by the non-traditional for metaphysics of music position that proposes the analysis of a musical phenomenon which a "creation of work" in its coming-into-being here and now, and therefore it confirms non-reduction of corporal basis. This attitude is summarised of concept of "musical corporealness". The phenomenological of repression of corpus in music are demonstrated through manifestation of oppositions conceptual structures which construct the metaphysical models of music. The deconstruction of those oppositional conceptual is made by philosophical-anthropological analysis of the phenomenon of musical temporality. The practical significance of the work - investigation of the corporal (corporealness) part of musical realm gives that knowledge about music which was ignored by philosophy and make the horizon of study modern "metaphysics of corporealness". The sphere of use - scientific-teaching process, philosophical anthropology, culturology and aesthetics courses.