Ushnevych-Shtanko S. The fictional thinking in the novels by V.Domontovych.

It is revealed in the context of intellectual-psychological prose of the twenties of XX century (M. Ivchenko, M. Mohylyanskyi, V. Pidmohylnyi, Y. Pluzhnyk). The dissertation is devoted to the discovering of V. Domontovych creative thinking and its peculiarities within the frames of the creed and philosophy parameters of the modernist novels. The specific character of the aesthetic consciousness of the author was studied in the light of arts' synthesis with the psychology of creation and activization of the subconscious area as its foundation taken into consideration. The author traced the writer's modifications and innovations that can be observed in the process of using of the psychoanalytical instruments within the frame of the fictional time and space being transformed in the characters' mental state.V. Domontovych's intellectual reflection represents the diversity of the receptive decisions as the fictional world of the author's writing holds the deep connection between the theoretical (philosophical and aesthetic conception) and fictional (literary creative work) discourses. The conducted investigation testifies the fact that the modernist system of V. Domontovych's fictional thinking is an open interpretation perspective providing for using of various methods of analysis.