Shevchuk V. Philosophical intentions of the picture of the world in the creative activity of K. Bogaevskiy and M. Voloshin (in the context ofthe sociocultural regularities of the first half of the XX-th century)

In the thesis the philosophical concepts of O. Spengler, V. Solovyov, M. Berdyaev, V. Zenkovskiy, P. Florenskiy, V. Shmakov, A. Potebnya, B. Kandinskiy, N. Evreinov and other thinkers of the first half of the XX century, who had addressed to the culture philosophy problems have been considered. One of the leading trends of the epoch - the idea of synthetism, sign-symbolic nature of the art, which have found the entailment in philosophical, artistic, esthetic and religious-mystic searching has been motivated. The incarnation of these trends in the creative activity of the representatives of the Ukrainian and Russian art (M. Juk, M. and T. Boychuk, G. Narbut, K. Malevich, B. Kandinskiy and oth.), in the main - in the artistic picture of the world of K. Bogaevskiy and M. Voloshin has been revealed. The analysis of the creative activity of these Crimean masters have been made on base of the philosophical-anthropological and phenomenological approaches. This has allowed to reveal the essence of the philosophical intentions in the direct relationship with the productive activity of the subjectivity and to define their pictures of the world as an artistic opening, which has displayed the lines of the epoch and the originality of the personalities of Bogaevskiy and Voloshin -creators of the inimitable image of Cimmeria.