Kharchenko E. Intertextuality in Ukrainian music of the twentieth century: intonation, genre, style.

The thesis is devoted to formation and shaping of the theory of intertextuality in the second half of the twentieth century. Noted that intertextuality is a postmodern paradigm within which art semantic systems are in progress by becoming reflective transformation of actually-spiritual experience of mankind in the text artifacts as an augment of meanings in music paradigm of the end of the twentieth century that covers all levels of musical composition. The meaning of intertext is investigated as structurally defined semantic landmark of composition; it appears through basic informational form elements - tone, style and genre. One analyzed creativity of B. Liatoshynsky and deduced the theory of "intonation dictionary" of composer, also one described three intonation complexes. For the first time one made analytical research into art of modern Ukrainian composers and proved that intertextuality of their music also found by transforming the intonation (G. Gavrilets, G. Liashenko, K. Tsepkolenko), genre (O. Bezborodko, S. Pilyutykov) and style (I. Karabyts, J. Kolodub, I. Shcherbakov, A. Bezborodko) into art facts, that become semantically significant intertextual structures in a separate composition and they are involved actively in the process of creating new senses.