Fomina L. The Lyric Poetry of N. Vingranovsky and the Problems of the Author's "Me".

The theses are focused on the structure of the author's "Me" in N. Vingranovsky's lyrical discourse as well as the modus of its representation. The subject sphere of the author's text and the forms of the author presence as the subject of the consciousness and the subject of the art activity, so as the relation author as the real personality - author as the textual category are considered in the work. The basic attention is accented on the national definiteness of the lyrical subject, which mediates the author's position. His inner world is reconstructed through the humanistic conception and anthropological corporealness measure. His linguistic selfpresentation is given as the significant textual aspect of the author's "Me" image. In the interpretive strategy of the work the special value is given to the analysis of the communicative modus of the lyrical subject ("author - text - recipient"). The folklore and mythological basis as the major factor of the apperception of the author's massage in the lyric poetry of N. Vingranovsky is investigated in the separate section, so as the key aspects of the author's "Me" are argued on the basis of the folklore and literary narrative. The relation of the author's world view and his artistic individuality is researched through a prism of the dominant ethnic myths and folklore symbols, which are originally transformed into the author's text. The self-identification of the artist is characterized by means of the analysis of the artistic and diary material.