Dzyk R. Writer as an intertextual paradigm (experience of French reception of F.M. Dostoyevsky)

The functioning of F.Dostoyevsky's name as a paradigm is analyzed, on the example of the French intertextual experience its receptive potential is proved. The constitution of the semantic content of the paradigm Dostoyevsky is based on the observation of the paradigm as a separate functional phenomenon, particularly on the view of this category as an option of a metonymic model trope (in various connotations) with such properties as structured integrity, interrelation of many levels, that definitely require proper receptive reading. It turns out that the paradigm never works in all its possible scope, but is transposed as a sign in a particular consciousness where it acquires relevant, limited or even distorted contours. In the intertextual communicative axis "author - author" the literary reception of a paradigm becomes a bilateral phenomenon: it is influenced not only by a recepting person, but also the reception can alter the paradigm and in some way expand its semantic content.