Sklyar І. The psychopoetics in Valerian Pidmohyl'nyi's creative activity prose

The objective is V. Pidmohylnyi's prose: short stories (Kind God "Добрий Бог", Haidamaka "Гайдамака", The Beggar "Старець", The Son "Син"), narrative (Ostap Shaptala "Остап Шаптала", The Story Withought a Name "Повість без назви"), novels (The City "Місто", A Small Drama "Невеличка драма"); The aim is to define the peculiarities of the psycho-poetics of V. Pidmohylnyi's works in connection with the conception of author's inner world; Methods used in the research are hermeneutical, analysis, objectively analytical approach of the research of V. Pidmohylnyi's works; The importance of this paper lies in the fact that Valerian Pidmohylnyi's prose was interpreted in the psycho-poetic aspect for the first time in the Ukrainian literary criticism; author's difficult prose making processes were analysed, the usage of the means and methods of direct, indirect and totally denoting forms were substantiated in the psycho-poetic aspect of the novel in connection with the "outer" and "inner" point of view; the personal psychological rules of V. Pidmohylnyi's prose writing as an artist-observer and artist-experimentalist were defined; The results of the research can be used for creating the History of the Ukrainian Literature of the XX century lecture course, special courses of study, for writing books and school appliances, for making the comprehensive research in the problem of the typology and evolution of psychologism in the Ukrainian prose; The field is the philology