Dotsenko N. The Patrick Modiano novels (intermediality principles).

The thesis is the first in Ukrainian literary studies research of intermediality principals of Patrick Modiano novels. The research of intermediality patterns in the Patrick Modiano novels is based on the cultural and historical analysis, semiotics and psychological studies, structural and intermediate approaches in literary text reading. That gives possibility to find synthesis principals of literature and cinema techniques in the novels of the modern French author. The most effective in the intermediality aspects research of the literary writing is O.Hansen-L?ve concept, which contains three types of art patterns transformation: displacement, mixture and superimposition, as well as I. Borisova concept, which helps in finding levels of representation of intermediality mutual interaction: the image formation level, the structural building level and the level of world perception. The engagement of cinema art techniques in verbal opus activates the process of superimposition of verbal and visual codes. This provokes the nascence of the third code, which includes the characteristics of both elements of interaction. Thus, the literary writing gets new semantic formations, which promote the visualization of the verbal component and give the cinema features to the literary writing. The engagement of cinema art techniques in literary writing is a distinctive feature of the 'nouveau roman' representatives (N. Sarraute, M. Butor, Cl. Simon, A. Robbe-Grillet). Their innovative patterns created the new intermediate approach that influenced on the further development of the French literature. The works of Patrick Modiano, the modern French writer, who's considered to represent the new 'nouveau roman' wave, is a remarkable example of realizing the new writing patterns in French novels.