Smagliy I. The Autor's Consciousness and its Poetic Expression in Svitlana Yovenko's Poetry

The object: the poetry of S. Yovenko in the collections "Blue Flame" (1969), "The Face of the Wind" (1975), "Lilac in January" (1977), "Dialogue" (1978), "The Face of True Moment" (1979), "Bridge Through Autumn" (1981), "You - who are near" (1983), "Time of Love" (1984), "Unopened envelope" (1987), "Immortality of the swallow" (1989), "Face to Face" (1989), "Love and Death" (2010); interviews, literary and critical articles, the poet's memories ("These are ours - not ours! - romantic secrets. A fragment from the book "Autograph as a text""). Objective: to explore the mechanism of formation of S. Yovenko's author's consciousness, the specifics of its artistic realization in the lyrical works. Methods of research: structural and system analysis, biographical, comparative, cultural and historical, psychoanalytic, hermeneutic methods. Results and novelty: - for the first time S. Yovenko's poetical works are considered comprehensively concerning the author's consciousness; the new material from her latest collection "Love and Death" as well as her literary and critical articles are brought to analysis; the thesis perfects the analysis of the image of Ukraine as an epicenter in the spiritual cognition of the world and man in it in the poetry of S. Yovenko, the cultural and spiritual paradigm of the world through the prism of the lyric "I" analytical interpretation of the characters in S. Yovenko's works; the next step is taken in interpreting the reflections of the lyrical "I" as one of the forms of expressing the author's consciousness, identity is outlined the poetry of S. Yovenko within the limits of the poetry of the sixties. Sphere of use: studying the history of Ukrainian literature of the second half of the XX - the beginning of the XXI centuries, special courses and special seminars on S. Yovenko's poetry issues.